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Photos: Sean Turi, Ken Howard, Richard Termine, Marty Sohl, Jeff Roffman, Ben Rafterman
Amir appeared in the French feature film Big House starring Gerard Depardieu (Jean-Emmanuel Godart, Dir), Minyan (Eric Steel, Dir) and the feature Listen by Omri Bezalel.
Amir was seen in Season 2 of Pose on FX (Gwyneth Horder-Payton, Dir), the new Netflix series Its Bruno! by Dir. Solvan "Slick" Naim (The Blacklist, Animal Kingdom) and Season 3 of FBI on CBS (Alex Chapple, Dir).
Amir is voice-acting characters for the new animated series The Chosen Adventures on Amazon Prime.
Amir was an associate producer on the romantic comedy feature film, Out Of Order! (Priority Films) to be released soon.
Other television/film credits include the FX hit show Louie, and numerous short films, industrials, and commercials.
Amir has been a company member with leading dance organizations including the Bat-Dor Dance Company, Ballet Hispanico of New York and he has spent the last twenty-five seasons with the Metropolitan Opera as both dance captain and as principal dancer.
With the Met, Amir has been seen in over 50 productions, including many via the Met HD Live broadcast series seen in movie theaters across the globe. These broadcasts have showcased his work with some of opera's leading directors including Anthony Minghella (Madama Butterfly), Adrian Noble (Macbeth), Julie Taymor (Magic Flute), Franco Zeffirelli (Turandot), Michael Mayer (Rigoletto), Bartlett Sher (Tales of Hoffmann), Mary Zimmerman (La Sonnambula) and Francois Girard (Parsifal).
Additionally, Amir has worked closely with some of the world’s leading singers including Renee Fleming, Christine Goerke, Jonas Kaufmann, Peter Mattei, Natalie Dessay, Anna Netrebko and Asmik Grigorian.
Major musical theater credits include the first national tour of Victor/Victoria and the Hal Prince Evita.
Amir can be seen performing with The Met Opera’s 25-26 Season.
Amir made his Atlanta Opera debut in 2018, choreographing a new production of CARMEN-
“Colorful and compelling production. The Scene of actual frenzied, festive chaos in the tavern is thoroughly effective… one of the production’s many strengths.
The Atlanta Opera’s successful production makes it clear why Carmen has remained such an enduring classic” - ajc.com
“The Atlanta Opera’s production of Carmen undoubtedly marks itself as a true theatrical triumph.” - nchchant.com
He returned in 2020 to choreograph the critically acclaimed production of SALOME -
“(Zvulun’s) dream team consists of set designer Erhard Rom, costume designer Mattie Ullrich and choreographer Amir Levy.
Dance of the Seven Veils... bewitching... accompany Amir Levy’s provocative troupe of dancers.
Distilled and grotesquely beautiful, making it impossible to look away.
Brilliant cast and an enviable creative team” - artsatl.org
"Kudos to choreographer Amir Levy who created a hypnotic rendering of the Dance of the Seven Veils.” - Stephanie Adrian Opera News
“The dancers, choreographed by Amir Levy, were used as an expert interpretation of Salome’s youthful control over men, seducing and entrancing the men at various points of the piece.” - schmopera.com
“A theater of the mind. Not-to-be missed production”- earrelevant.net
For their 2025 season, Amir returned to The Atlanta Opera to choreograph SEMELE-
"Just because we are not mounting productions featuring 20 minutes of classical ballet in Act Three anymore does not mean opera does not need dance. It does, desperately, and Amir Levy's lovely choreography fit the bill."
"Best of all — both for wardrobe and stage action — a sextet of balletic dancers appeared in blue bodysuits: a co-ed Blue Man Group..."
"They danced in all three acts... the most striking image in the entire production, which will remain with me every time I think of this opera henceforth, in the final act...This might have been the most beautiful image I saw in all the operas I attended this season."
"This production seems almost as though it would levitate. All three acts dazzled the eye, often reflecting the music."
"A desire for the beauty of the heavens, yearning for the infinite. Not a single visual element missed the mark. "
"Airy projections, elegant lines, and vibrant colors give the viewer so much operatic eye candy"
"An understanding of why Semele would run off with the sky god.." - Benjamin Torbert Opera Wire.
Amir has been an associate choreographer to Sara Erde and Richard Eyre on critically acclaimed productions of Werther (Met), Manon Lescaut (Baden-Baden) and Le Nozze di Figaro (Met Season Opening Production 2014).
A major musical theatre credit include the Hal Prince/Larry Fuller Evita where he recently set the lead dancers tracks for new international touring companies in association with original choreographer, Larry Fuller.
Amir acts as artistic consultant for Priority Films Productions and works with many charitable organizations, including Red Light Children helping produce artistic presentations and Gala fundraisers which benefit the causes of important organizations.
Through this experience and in connection to his artistic administration and stage management work Amir continues working in arts management and administration.
